The open house reflected the steady growth of programming already underway in the studio. In October, El Pueblito Press hosted Protest with PRINT: Letterpress Poster Making, a two-day workshop rooted in the idea of art as activism. Participants designed and printed their own protest posters using letterpress and stencil-making techniques, exploring the historic role of posters in social movements. Over the weekend, artists amplified personal messages, built solidarity through design, and engaged with the long tradition of print as a powerful public voice.
In November, the studio continued its momentum with a Weekend Workshop in Letterpress Greeting Cards, where participants spent two immersive days learning typesetting, layout, ink mixing, and press operation. By the end of the workshop, each student produced a small edition of original cards, gaining both technical skill and confidence in the slow, rhythmic discipline of printmaking.
Together, these workshops established the studio as more than a classroom. It became a place where craft intersects with culture, where skill-building meets self-expression.
Looking ahead, the creativity continues. On Saturday, March 21, 2026, the studio will
host Introduction to Tetrapak Printmaking, led by instructor Vivian Jean. This innovative workshop transforms recycled Tetrapak
packaging into detailed intaglio prints using the college’s presses — eliminating
the toxic chemicals traditionally used in etching and bringing sustainability into
the printmaking process.
What unites all of these events — from protest posters to greeting cards to Valentine prints — is intention. Letterpress requires attention. You choose each letter. You align each line. You apply pressure carefully. And then you lift the page.
In a world built for speed and screens, that kind of deliberate making feels radical.
The El Pueblito Letterpress Studio stands as a living space for tradition, experimentation, and community. One poster. One card. One carefully inked impression at a time, the press continues to move — and with it, a growing creative community in Northern New Mexico.
The studio quickly became a space of shared discovery. Families gathered around trays
of type. Children and adults alike composed their own Valentine cards, carefully arranging
letters in mirror image before inking and pulling their prints by hand. Each card
carried the distinct impression of the press, slightly varied, textured, and unmistakably
human. Some guests created keepsakes. Others made heartfelt gifts. All left with something
tangible they had crafted themselves.